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 Post subject: Re: Spot for Cinema fans..
PostPosted: December 20th, 2010, 8:48 pm 
DO!
and very ducky in deed.

How 'bout the 2 beautiful Swans that are in My world these days! Such graceful,strong, loyal creatures.

Magnificent!

xoxo
Tina


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 Post subject: Re: Spot for Cinema fans..
PostPosted: March 5th, 2011, 9:41 pm 
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One day in 04? I watched "Death to Smoochy"... A fabulous film

The final scene is the jackie Wilson song about your love taking me higher which is often the opening to cash flow

The next day I took mushrooms and went to see the matrix 2 in the theatre ...


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 Post subject: Re: Spot for Cinema fans..
PostPosted: March 5th, 2011, 10:19 pm 
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I want to see the movie coming out March 18, Limitless.

Kind of reminds me of iON a bit, always 50 steps ahead of us...

Apparently the guy in the movie gets a pharma pill allowing him to activate
all of his brain. Seems like an adventure.

_________________
http://www.TalesofTea.Com


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 Post subject: Re: Spot for Cinema fans..
PostPosted: March 5th, 2011, 10:40 pm 
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Limitless looks great

It seems that Shia Lebeouf was supposed to play Bradley Cooper's part

Shia is in all the iON covers ( eagle eye, transformers , wall street 2)


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 Post subject: Re: Spot for Cinema fans..
PostPosted: March 5th, 2011, 11:58 pm 
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Catch most Films and TV shows here - http://www.moviewatch.in or letmewatchthis.com

Ray Kurzweil's film Transcendent Man...
http://www.moviewatch.in/watch-1717637-Transcendent-Man


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 Post subject: Re: Spot for Cinema fans..
PostPosted: March 6th, 2011, 7:58 am 
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iON wrote:
Sounds ducky

And then there were 3...

iON


GENESIS And Then There Were Three (1978) haha This is the second time
iON has used this term.

Genesis is my favorite band. Would listen to the Lamb Lies Down on Broadway
over and over again in high school.

The song, Broadway Melody of 1974, on the Lamb..., mentions Marshal McLuhan,

Quote:
Marshall Mcluhan, casual viewin', head buried in the sand.


Of course, the name Genesis has more meaning to me now...

Especially, the impetus / basis for the song, Supper's Ready, from the Foxtrot cd.

Supper's Ready was written by Peter Gabriel.

He'd had a frightening supernatural experience after which he said he was "led"
to the Book of Revelations, and worked this material into the song. He said it was
the first time he'd felt like he was singing for his life.

The song is nearly 23 minutes long, which is interesting, because, according to
iON, that's how many chapters are in the Book of Revelations...

Here are the last two verses of Supper's Ready,

Can't you feel our souls ignite
Shedding ever changing colours, in the darkness of the fading night,
Like the river joins the ocean, as the germ in a seed grows
We have finally been freed to get back home.

There's an angel standing in the sun, and he's crying with a loud voice,
"This is the supper of the mighty One",
The Lord of Lords,
King of Kings,
Has returned to lead His children home,
To take them to the new Jerusalem.

SOURCE - http://bit.ly/8XGZo0


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 Post subject: Re: Spot for Cinema fans..
PostPosted: March 6th, 2011, 8:34 am 
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rhyee wrote:
Mattrose wrote:
http://www.youtube.com/user/soundlessdawn

This is the "Bob Neveritt" of the synchromysticism world.


BOB: "... a radio play entitled Who's Forgotten Furry Lint? (a Bob Marshall production), and the author of Phatic Communion With Bob Dobbs. (Perfect Pitch Editions, 1992)..."

http://www.facebook.com/topic.php?uid=130830191286&topic=17516


Bob Dobbs


Thank you, Bob. Followed the link and read. There was a link offered at the bottom
of that first page that I followed to an interview with you at rockcriticsarchives.com
(http://bit.ly/eZsJMX).

One of the few times one may encounter Bob speaking in plain terms about his
approach to teaching /guiding. Bob, again, thank you.

I wanted to take an excerpt from that interview (the date isn't given...it's timeless? haha),

Quote:
[Edited format for readability]

...

Bob: [laughs] Yeah, learning is painful. I mean, there's that old line,
when you're laughing you're learning; but when you're in PAIN you're learning. Nowadays you have
so many distractions and things to fill up your time, it's painful to sit still, maybe hide away for a week,
and read something in depth, and really try to figure it out, because a lot of experiences you've missed
over that week; you've been out of touch if you think you need to know what's going on.

You've missed the collective experience of people reading papers everyday: they're processing all
this stuff and you're not part of the collective beehive mind, and probably some part of your brain,
your self, wants to be in touch.

But it's painful to withdraw from that and do some of your own homework by yourself, sort of relive
the isolated, visual book-reading experience. But I try to recommend really good stuff to read to
make that worthwhile. It's not physically torturous, but it's kind of painful, and it's WORK, it's like
weightlifting. So, you've gotta do that, and you have to...

Scott: It's painful to come to an awareness--is that what you're saying?
Or understanding?

Bob: Painful to learn to control your mind, or to see how it moves. See,
if you just merge with the crowd and do whatever you're doing, go to all the right movies, all the intelligent
stuff, you're operating on a certain rhythm and pace that is comfortable as you get used to it. It's always
uncomfortable to get out of that pace and break your routine or your habit.

All awareness is is seeing what you were doing from another perspective, so to get out of the flow
you've got to stop, and when you stop it's not necessarily that you've gone into a higher awareness
zone, it's just that you've begun to look at that other environment from a different perspective, and
that will create new patterns and new insights, and it will give you a sense of expanding your awareness;
but you can't stay in that point, you're eventually gonna have to get out of that point and go experience
some other zone and look at those two previous zones through that point.

So there's no finish line in expanding your awareness--I wouldn't even begin to say that, I would just
say that it's tough to change your routine, that it's harder to change your routine since you're living in
a world of change, so how can you make change if everything's always changing? One of the ways is
to STOP, you know what I mean, in some way, even though it's the hardest thing to do today.

Scott: Is that Bob's Media Ecology?

Bob: Yeah...

Scott: To stop?

Bob: If that works for awhile; if it becomes a habit then it isn't, you know.
But Bob's Media Ecology is taking pleasure in the work of looking at one situation through another. So that
means if you like ecology stuff you've got to read right wing and anti-ecology literature just to look at that,
you know what I mean?

Because you become a zombie with just one perspective. And as you learn more and more how any point of
view is obsolete and the society isn't even operating on that point, then you realize, well, geez, I'm gonna
have to learn to live without a point of view...and that's a problem, too, but--that's why it's so silly to have
a point of view when society doesn't even care about that anymore.

Scott: Okay...

Bob: And that's TERRIBLE for society, because no one's ever going to gain
control of the situation or implement real change, or implement going in a healthy direction.
[Emphasis added]

...


SOURCE - http://bit.ly/eZsJMX

When I read your last statement, I remembered a subject referenced by David Wilcock, which, he said,
was a part of Chaos and Complexity Theory; this being, "complex adaptive systems".

Wilcock was applying this to explain, or describe how an economic collapse could actually result
in something much greater and more equitable than the system it was replacing.

One place Wilcock mentions this is in his article, "Radio Show -- Self-Organizing Economy" (http://bit.ly/efpKBy).

I found a passage on complex adaptive systems that seems to counter your (at the time) position
that the dynamic you were speaking of was "terrible" for society (Of course, society "as it is" at the
moment could use a restructuring, so terrible is a matter of perspective haha).

Quote:
[Edited format for readability]

...

A complex adaptive system not only has the ability to maintain its boundaries and sustain its
own existence, but can also adapt and change itself to make it even more fit for it’s environment.

In short, it is a system that can learn. A complex adaptive system will have some form of memory,
whereby it can ‘remember’ what has happened in its history and use that information as a part of
its strategy for acting more effectively in the present.

Whether it is a bacterium sensing changes in the concentration of a particular chemical indication
food in that direction or a university professor gaining an understanding of quantum physics, the
process is still using information gained previously to be more effective in the present.

All life is made up of complex adaptive systems. Complex Adaptive systems are usually comprised of
a large number of separate autonomous agents operating in their own interests, but also co-operating
together as a whole functional unit. There is no “control centre” in charge of what happens.

There is nobody or no-thing in charge to make decisions, and yet all the decentralised decisions necessary
and all the co-operation necessary between the agents occurs. The intense and complex interactions
between the agents that make up the organism, enable a process called “emergence” where the organism
to act as one unit in a way not possible by the individual agents.
[Emphasis added]

It is only when the all work together dynamically that the overall system maximises its location on the
phase space. Complexity takes what is complex and allows it to operate in simple ways.

The individual agents do not need to be intelligent for the system overall to be intelligent. The extra
co-ordinated ability comes from the relationships between the agents.

A complex adaptive system is run from the bottom up rather than top down. It is the individual agent
that determine the overall shape of the system, even though the systems imposes restrictions on the
individual agents in order that they the system functions as a whole unit.

...


SOURCE - http://bit.ly/hm9IFx

The passage above suggests a greater, intelligent (and organic) movement above and beyond
a single "agent's" ability to influence, or alter the course / direction (roughly translated).

I'm not sure how this would apply to your statement, "...no one's ever going to gain
control of the situation or implement real change, or implement going in a healthy direction...", save
to say that a greater intelligence / process may be at work.

The individuals who might be considered as having changed the course of history / our
race received inspiration / guidance from the intelligence that oversees the forward
movement of life.

I'm not married to the concept, but would love your input...If you're so inclined.


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 Post subject: Re: Spot for Cinema fans..
PostPosted: March 6th, 2011, 8:53 am 
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Sorry, since we're on films (and not to derail) I liked Bob's comments
on the movie the Matrix,

[Edited format for readability]

Quote:
...

As I write this on the night of April 25th, 1999, a film called The Matrix is number one at
the box office. Though by no means a perfect science fiction movie, it still manages to
pack one hell of a wallop.

I'd hardly put it on the same scale as 2001: A Space Odyssey or Brazil, or even Blade Runner,
but at the same time I don't believe the flaws in the film represent a weakness on the part
of the Wachowski Brothers' writing talents.

I believe the film is designed to disseminate a subversive message through the filter of popular culture.

As Marshall McLuhan said, "Anything that's popular is a rear-view image." [Emphasis added]

The Matrix is not about the future, it's about the past: circa 1945, to be exact.

The Wachowski Brothers' previous film, Bound, received good reviews but fared poorly at the box office,
which proves to me that they're more than capable of non-generic, non-traditional writing. I suspect
the overly-long fight scenes and limited characterizations are specifically intended to lull the viewers
into a hypnotic state, to drag their brainwaves down into alpha, at which point the filmmakers slam the
message home: 'Wake Up, You're Being Controlled.'

This is a cliché.

Clichés are obsolete.

"If it works, it's obsolete." Marshall McLuhan explains this quite well in the first chapter of his 1964
book Understanding Media.
[Emphasis added]

I could compare The Matrix to ancient Vedic philosophy, Hassan-i-Sabbah ("Nothing is real, everything is
permitted"), the experimental novels of William S. Burroughs (The Reality Studio in Naked Lunch),
Philip K. Dick's series of solipsistic novels (Eye in the Sky, Ubik, A Maze of Death, not to mention dozens
of others), recent proponents of VR technology (Jaron Lanier), and the best-selling novels of William Gibson.

...


SOURCE - http://on.fb.me/hmOoLK

I think I see what Bob and McLuhan meant. It may have been obliquely referenced in the same interview
I excerpted above,

Quote:
...

Bob: And if what I'm saying is true, you, as a young person, CAN'T understand it,
you haven't had the experience I've had, why should you?

But you're lucky if you say, "I resonate with this, I see that this is worth paying attention to over time." Like I
pay attention to Zappa and these guys because I knew they were trying to say something, and you're not
gonna get it all.

...


SOURCE - http://on.fb.me/hmOoLK

Bob (and McLuhan, indirectly) are saying the Matrix is cliche and obsolete, because it's "popular" and
"it works"; meaning, everyone immediately "gets it"; i.e., there isn't a varied or graduated experience
necessary for a few who might immediately see and grasp what is being communicated.

Everyone has the reference point immediately. This is hard to articulate, but it makes sense. It also may
have to do with the "pain" involved in learning what Bob is talking about - the same "working out" Bob
had to do with McLuhan, Zappa, et al.

In any event, I think the notion is pretty interesting. One already gets the sense that when something's
popular, it's already "so yesterday". Relation? Don't know...

Maybe Bob can help on clean up. McLuhan was never popular before Bob emerged and brought him to
the fore.

As a side note, given that folks are (albeit, slowly) realizing what McLuhan meant, does this mean McLuhan
is becoming a rear view image - that we're entering post-McLuhan territory? haha Post-Revelations? OK,
maybe I'm jumping ahead...haha Just musing...


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 Post subject: Re: Spot for Cinema fans..
PostPosted: March 6th, 2011, 11:36 am 
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Joined: October 27th, 2010, 12:49 am
Posts: 47
Location: JAPAN
hmm....


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 Post subject: Re: Spot for Cinema fans..
PostPosted: April 28th, 2011, 1:45 am 
Here is a recent TV ad:
http://www.youtube.com/watch?v=9mevhLQJg7M

Is the simultaneity of visual imagery a way to perceive 'Time' as
stacked up Nows? mmmmmmm
A past,present,future rolled up within the continuim of your now.
Kinda does away with time as we know it.
xox
TayZay


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